Canon RC-IP300 PTZ Controller
€1,879.00
Production houses that have grown past the single-operator stage need a desk that scales with the camera count without complicating the gallery....
Canon Log 3, Wide DR gamma and a 1.0-type CMOS sensor give the Canon CR-N500 White the grading latitude of a Canon camcorder. All of it sits in a remote head hung from a ceiling plate and powered by a single PoE+ port. In Canon's indoor line-up it is the large-sensor 4K30 model, one step below the 4K60, 12G-SDI CR-N700. Cut against Cinema EOS or XF cameras, its pictures keep skin tones and shadow noise consistent, so remote angles no longer give themselves away in the mix.
The sensor holds about 13.4 million pixels, 8.29 million effective (3840 x 2160), read by the DIGIC DV6 processor. Native 4K UHD runs at 29.97p or below, while Full HD at 59.94p is oversampled from the larger image, which keeps stage gauze and striped shirts calm in HD. Canon specifies roughly 1.5 lux at 2160p29.97 (1/30 s, 33 dB) and 3 lux at 1080p59.94. Gain runs from −6 to 33 dB, white balance from 2,000 to 15,000 K, and a motorised ND filter with 1/4, 1/16 and 1/64 densities lets the iris stay near its sharpest setting under bright studio LEDs. Six gamma settings (four Normal curves including BT.709, then Wide DR plus Canon Log 3) cover a straight-to-air conference feed as well as Log material for a colourist.
The optics are Canon's own: a 15x zoom of 8.3–124.5 mm, F2.8–4.5, with 18 elements in 14 groups, two of them aspherical, and a nine-blade iris. In 35 mm terms that is roughly 25.5–382.5 mm, or a 73° horizontal angle at the wide end. Mounted 4 m from a panel table, the head frames a strip about 5.9 m wide. From 15 m at full telephoto the 5.7° angle narrows to around 1.5 m, a head-and-torso shot of a speaker at the lectern. An optical-shift stabiliser with four-axis correction, roll included, damps the shudder of lighting trusses and balcony rails. Minimum focus is 1 cm at 25.5 mm and 60 cm over the whole zoom, with a 20x digital zoom held in reserve.
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Dual Pixel CMOS AF measures phase on the sensor itself, so focus holds on a presenter walking towards the lens even while the zoom moves. Contrast AF, Face AF, Tracking, Continuous AF and AF-boosted MF sit alongside full manual control. Panning spans ±170° and tilting −30° to +90°, each at speeds from 0.1° to 100°/s: slow enough for an on-air creep across an orchestra, quick enough to reach the next speaker between cuts. Up to 100 presets, home position included, can be recalled by speed or by travel time, so pan, tilt and zoom arrive together. Trace captures a move made on the joystick and replays it on cue, while Auto Loop, a paid add-on, holds up to five automatic routes.
Three video paths leave the camera in parallel. The BNC 3G-SDI output (SMPTE 424/425) carries 1080p up to 59.94 or 1080i, sampled 4:2:2 at 10 bits, and embeds both audio and VITC/LTC time code. HDMI adds 2160p at 23.98, 25 or 29.97, sampled the same way. Both share one format, and 2160p on HDMI blanks the SDI, something to settle before rigging. A genlock input locks the head to house sync, and an RS-422 port on RJ45 handles serial control.
Over Gigabit LAN, as many as three H.264 streams (4:2:0, 8-bit) leave at once, with 4K offered at 29.97, 25 and 23.98 Hz frame frequencies. Protocols include NDI|HX2 (NDI 6-compatible since firmware 1.7.0), SRT that adapts its bitrate and reconnects by itself, RTMP/RTMPS and RTP/RTSP. FreeD feeds up to four virtual-set renderers, and control commands arrive in Canon XC or the Standard Communication protocol, serial or IP. A hardware switcher can take the SDI feed while an IP stream goes to a software mixer or a remote gallery.
Two balanced XLR sockets take mic- or line-level signals and supply 48 V phantom, while a 3.5 mm jack with plug-in power suits a radio-mic receiver. Both sources travel inside the SDI, HDMI and network outputs, so the lectern microphone stays in lip-sync with the picture. Power arrives over PoE+ (IEEE 802.3at) from a Class 4 switch port or from the 24 V adapter supplied; standard PoE will not run it. Control works over IP, RS-422, Wi-Fi for Canon's Remote Camera Control Application on a tablet, and infrared through the supplied WL-N01 remote. Canon's RC-IP100 and RC-IP1000 panels drive it directly, while wireless operation from an iOS device comes through the Multi-Camera Control app. Canon's free Webcam Driver also turns up to five of its PTZ heads into 4K webcams over Ethernet.
Auto Tracking comes in two tiers. Since firmware 1.5.0 the camera has carried Auto Tracking App RA-AT001 (Lite) at no cost: it chooses whom to follow, holds that person mid-frame, knows two subject sizes and saves a single configuration. Under the paid RA-AT001 licence, the target is picked by hand or by the camera, response is tuned over ten levels, five subject sizes are offered and the person can sit anywhere in frame. Priority and fixed-angle areas, five stored set-ups and Auto Framing (Face Direction, Sit/Stand, Multi-Person) come with it. With firmware 1.8.0 of 15 October 2026, tracking profiles attach to presets, so recalling a position can start or halt tracking; a room-control system can also toggle it by Standard Communication command.
Slovakia's TV JOJ shows what this means for a budget. The broadcaster built PTZ-only studios around eleven CR-N500 heads run from Canon's RC-IP100 controller. According to Canon's case study, each studio now needs one operator instead of five. Equipment savings came to about €40,000 for each camera chain and operating savings to around €200,000 per studio, enough to open three studios instead of the one planned.
Packed with the camera are the WL-N01 remote and its batteries, a mains adapter, the ceiling plate with its fittings and two safety wires. The white body stays discreet under pale hotel or lecture-theatre ceilings; operation is specified indoors only, from 0 to 40 °C. On multi-camera orders we help calculate PoE+ budgets per switch, confirm each head works with the chosen controller and judge where the tracking licence for a Canon CR-N500 White pays back.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1.0 (1.0 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160) |
| Lens | f=8.3 – 124.5 mm, F/2.8 – 4.5, 15x optical zoom, 9-bladed iris diaphragm |
| Optical Zoom | 15x optical zoom |
| Digital Zoom | 20x digital zoom |
| Focal Length | f=8.3 – 124.5 mm, F/2.8 – 4.5, 35mm equivalent focal length: approx. 25.5 (W) – 382.5 mm (T) |
| Angle of View | Horizontal: 73.0 (W) – 5.7° (T) Vertical: 45.2° (W) – 3.2° (T) |
| Minimum Subject Illumination | 3840 x 2160: Approx. 1.5 lux (shutter speed 1/30 sec., Frame Rate 29.97P, Gain 33.0 dB) 1920 x 1080: Approx. 3 lux (shutter speed 1/60 sec., Frame Rate 59.94P, Gain 33.0 dB) |
| Shutter Speed | 1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | -6.0 dB – 33.0 dB |
| ND Filter | Built-in (Off, 1/4, 1/16, 1/64), motor operated |
| Optical Low-Pass Filter | Yes |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual * Color temperatures are given for reference purposes only. |
| Focus | Focus mode: Manual, AF-boosted MF, Continuous AF, Face AF, Tracking AF type: Dual Pixel CMOS AF, Contrast AF |
| Gamma | Normal1 (Standard), Normal2 (x4.0), Normal3 (BT.709), Normal4 (x5.0), Wide DR, Canon Log 3 |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.1° – 100°/sec. Tilt operation range: Vertical -30° – +90° Tilt operation speed: 0.1° – 100°/sec. |
| Pan and Tilt Operation | |
| Protocol | XC (Canon's original), RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD |
| Server | |
| Video Output Format: SDI | 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit) 1280 x 720: 59.94P, 50.00P (4:2:2 10 bit) – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI) – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI. |
| Video Output Format: HDMI | 3840 x 2160: 29.97P, 25.00P, 23.98P (4:2:2 10 bit) 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit) 1280 x 720: 59.94P, 50.00P (4:2:2 10 bit) – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI) – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI. |
| Video Output Format: IP | 3840 x 2160: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1920 x 1080: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) – If 59.94/50.00 Hz is selected for the frame frequency, the 3840 x 2160 format cannot be selected. – A frame rate that exceeds the frame frequency cannot be selected. – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 When frame frequency is 59.94/50.00 Hz: 14.99 fps, when frame frequency is 23.98 Hz: 11.99 fps, when frame frequency is 29.97/25.00 Hz: 12.50 fps |
| Video Output Format: USB | - |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Wi-Fi, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| SDI OUT Terminal | BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant Embedded audio, Time code (VITC/LTC) |
| GEN-LOCK Terminal | BNC jack x 1, 1.0 Vp-p/75 Ω, input only |
| HDMI OUT Terminal | HDMI connector x 1, output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | XLR/Audio Input (3-pin jack) (pin1: shield, pin2: hot, pin3: cold), 2 sets, balanced Sensitivity (MIC): -60 dBu (Manual volume center, full scale -18 dB)/600 Ω/Att.: 20 dB Sensitivity (LINE): +4 dBu (Manual volume center, full scale -18 dB)/1 kΩ or more Supply Voltage: 48 V DC (Bias resistance: 6.8 kΩ) |
| MIC Terminal | ϕ3.5 mm stereo mini jack (unbalanced, plug-in power supported) Sensitivity (MIC): -72 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more/Att.: 20 dB Sensitivity (LINE): -10 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ) |
| USB Terminal | Type-A (USB 2.0) x 1 (future expansion) |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE+ power supply via LAN connector (IEEE802.3at compliant) – PoE cannot be used External power source: 24 V DC (using included AC adaptor) |
| Power Consumption | PoE+ Input: Approx. 19.6 W* max. (body only) DC Input: Approx. 18.6 W max. (body only) * Class 4 (25.5 W required) for power supply devices |
| Dimensions (W x H x D) | Approx. 200 x 269 x 208 mm (7.87 x 10.59 x 8.19 in.) (excluding protrusions) |
| Weight | Approx. 4.1 kg (9.04 lb.) (body only) |
| IP Rating | - |
Data sheet
Specific References