Three Canon CR-N700 4K PTZ heads paired with a single RC-IP1000 console turn the Producer Bundle into a self-contained multi-camera gallery: three matched broadcast viewpoints, one operator, and a control surface built for live cuts without the latency of software-only rigs. The Canon broadcast lineage that powers studio camera chains sits behind every shot, so colour, exposure and motion stay consistent across a streamed launch, a council chamber, an arena or a virtual sound-stage.
Each CR-N700 head pairs a 1.0-inch CMOS sensor with the DIGIC DV7 processor, recording native 4K UHD 60p in 4:2:2 10-bit through 12G-SDI, HDMI and IP at the same time. The integrated lens covers 8.3–124.5 mm at f/2.8–4.5, a 15× optical range (25.5–382.5 mm equiv.) that pushes to 30× in Full HD when a tight shot from the back row is the only option. Dual Pixel CMOS AF with EOS iTR AF X brings deep-learning head and eye detection across the frame, so one operator stays on the joystick while presenters roam the stage. A motorised internal ND, Canon Log 3, HDR PQ/HLG and Wide DR gamma, plus Optical Image Stabilization, keep grading and IMAG output consistent under stage lighting or sunlit relays.
Connectivity earns the kit its place. Each head outputs 12G-SDI, 3G-SDI, HDMI and IP video in parallel, with Genlock, BNC Time Code, two balanced XLR inputs (48 V phantom) and a 3.5 mm mic input. Streaming covers NDI|HX, SRT with adaptive bitrate, RTMP/RTMPS, RTP/RTSP, Canon XC and FreeD, the latter feeding up to four destinations for AR/VR tracking. Power runs over one Cat-6 cable via PoE++ (IEEE 802.3bt) at roughly 37 W per camera.
The bundled RC-IP1000 controller meets a production manager's expectations: a 7-inch capacitive touchscreen with IP and SDI multi-view, a four-axis joystick, a zoom rocker, 42 hard buttons and 14 dials covering iris, focus, gain, presets and trace recall. It addresses up to 200 cameras over IP (plus five over serial) across 20 groups, accepts 12G-SDI in/out for confidence monitoring, and sends Tally and GPIO over two D-Sub 25 ports for vision mixers and intercom panels. Pan and tilt resolve down to 0.1°/sec on each head, enabling cinematic crawls between presets that read as hand-piloted — what live producers and sports galleries lean on every show.
Instead of €25,796.00
Three Canon CR-N700 4K PTZ heads paired with a single RC-IP1000 console turn the Producer Bundle into a self-contained multi-camera gallery: three matched broadcast viewpoints, one operator, and a control surface built for live cuts without the latency of software-only rigs. The Canon broadcast lineage that powers studio camera chains sits behind every shot, so colour, exposure and motion stay consistent across a streamed launch, a council chamber, an arena or a virtual sound-stage.
Each CR-N700 head pairs a 1.0-inch CMOS sensor with the DIGIC DV7 processor, recording native 4K UHD 60p in 4:2:2 10-bit through 12G-SDI, HDMI and IP at the same time. The integrated lens covers 8.3–124.5 mm at f/2.8–4.5, a 15× optical range (25.5–382.5 mm equiv.) that pushes to 30× in Full HD when a tight shot from the back row is the only option. Dual Pixel CMOS AF with EOS iTR AF X brings deep-learning head and eye detection across the frame, so one operator stays on the joystick while presenters roam the stage. A motorised internal ND, Canon Log 3, HDR PQ/HLG and Wide DR gamma, plus Optical Image Stabilization, keep grading and IMAG output consistent under stage lighting or sunlit relays.
Connectivity earns the kit its place. Each head outputs 12G-SDI, 3G-SDI, HDMI and IP video in parallel, with Genlock, BNC Time Code, two balanced XLR inputs (48 V phantom) and a 3.5 mm mic input. Streaming covers NDI|HX, SRT with adaptive bitrate, RTMP/RTMPS, RTP/RTSP, Canon XC and FreeD, the latter feeding up to four destinations for AR/VR tracking. Power runs over one Cat-6 cable via PoE++ (IEEE 802.3bt) at roughly 37 W per camera.
The bundled RC-IP1000 controller meets a production manager's expectations: a 7-inch capacitive touchscreen with IP and SDI multi-view, a four-axis joystick, a zoom rocker, 42 hard buttons and 14 dials covering iris, focus, gain, presets and trace recall. It addresses up to 200 cameras over IP (plus five over serial) across 20 groups, accepts 12G-SDI in/out for confidence monitoring, and sends Tally and GPIO over two D-Sub 25 ports for vision mixers and intercom panels. Pan and tilt resolve down to 0.1°/sec on each head, enabling cinematic crawls between presets that read as hand-piloted — what live producers and sports galleries lean on every show.
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4K detail for imaging excellence
A 1.0-Type CMOS sensor and DIGIC DV7 processor deliver 4K UHD 60P imagery in up to 4:2:2 10-bit, 12G-SDI and HDMI for broadcast-standard image quality, plus 4K60P over IP.
Award-winning Auto Focus technology
Fast, intelligent, and extremely accurate focussing via multiple modes thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X.
Close the distance with unrivalled clarity
Harness the power of a 1.0-type 4K sensor and DIGIC DV7 processor with Dual Pixel AF. A 15x optical zoom (30x in Full HD) captures productions in exceptional detail, even in Night Mode. Stream 4K60P and HDR quality broadcast footage via a wide range of IP protocols and automate your productions using Auto Tracking.
Class-leading optical precision
The CR-N700’s high-performance lens has a 15x optical zoom (25.5mm - 382.5mm, 35mm equivalent) plus a 30x Advanced Zoom when shooting in Full HD. And when conditions are unstable, Canon’s renowned Image Stabilizer captures optimal footage.
Multiple protocols for seamless integration
The CR-N700 features SRT and NDI|HX1 that produce high quality video streams for broadcasters. RTMP/RTMPS, RTP/RTSP are included, along with Canon XC and Standard communication protocols, plus FreeD for integration into virtual productions.
Powerful HDR imagery and low light capture
Achieve stunning HDR imagery with direct recording into either PQ or HLG formats. A range of custom picture settings includes Canon Log 3 and Wide Dynamic Range to match your image with other Canon cameras.
Crop function – single camera, two video feeds
Select and extract a point of interest via a separate feed. The chosen area can then be output as a main or secondary signal and up to two cropped areas can be set in FHD.
Smooth and precise control
The CR-N700 has a high-precision drive mechanism for fine Pan and Tilt movement as slow as 0.1°/s. Compatible with the RC-IP1000, the RC-SK5, the RC-IP100 controller and Remote Camera Control Application controllers.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1.0 (1.0 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160) |
| Lens | 15x optical zoom, 9-bladed iris diaphragm |
| Optical Zoom | 15x optical zoom (30 x with advanced zoom) |
| Digital Zoom | 20x digital zoom |
| Focal Length | 8.3 – 124.5 mm, f/2.8 – 4.5, 35mm equivalent focal length: approx. 25.5 (W) – 382.5 mm (T) |
| Angle of View | Horizontal: 73.0 (W) – 5.7° (T) Vertical: 45.2° (W) – 3.2° (T) |
| Minimum Subject Illumination | Approx. 3.0 lux (with 59.94 Hz frame frequency, 1/60 sec. shutter speed, 59.94P frame rate, and 21 dB gain) Approx. 2.5 lux (with 50.00 Hz frame frequency, 1/50 sec. shutter speed, 50.00P frame rate, and 21 dB gain) |
| Shutter Speed | 1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | -6.0 dB - 36.0 dB |
| ND Filter | Built-in (Off, 1/4, 1/16, 1/64), motor operated |
| Night Mode (IR Cut Filter Off) | Yes |
| Optical Low-Pass Filter | Yes |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K, tungsten lamp: 3,200 K), color temperature setting (2,000 K – 15,000 K), Manual |
| Focus | Focus mode: Manual, AF-boosted MF, Continuous AF, Face AF, Tracking AF type: Dual Pixel CMOS AF, Contrast AF Detection: Face Detection, Eye Detection |
| Minimum Focusing Distance | 1 cm at wide end, 60 cm across entire zooming range |
| Gamma | BT.709 Normal, BT.709 Wide DR, BT.709 Standard, Canon Log 3, Canon 709, PQ, HLG |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.1° – 100°/sec. Tilt operation range: Vertical -30° – +90° Tilt operation speed: 0.1° – 100°/sec. |
| Server | |
| Video Output Format: SDI | [12G-SDI] 3840 x 2160: 59.94P/29.97P/23.98P/50.00P/25.00P (4:2:2 10 bit) 1920 x 1080: 59.94P/59.94i/29.97P/29.97PsF/23.98P/50.00P/50.00i/25.00P/25.00PsF (4:2:2 10 bit) 1280 x 720: 59.94P/50.00P (4:2:2 10 bit) 720 x 576: 59.94i/50.00i (4:2:2 10 bit) [3G-SDI] 1920 x 1080: 59.94P/59.94i/29.97P/23.98P/50.00P/50.00i/25.00P (4:2:2 10 bit) 1280 x 720: 59.94P/50.00P (4:2:2 10 bit) 720 x 576: 59.94i/50.00i (4:2:2 10 bit) |
| Video Output Format: HDMI | 3840 x 2160: 59.94P/29.97P/23.98P/50.00P/25.00P (4:2:2 10 bit) 1920 x 1080: 59.94P/59.94i/29.97P/23.98P/50.00P/50.00i/25.00P (4:2:2 10 bit) 1280 x 720: 59.94P/50.00P (4:2:2 10 bit) 720 x 576: 59.94i/50.00i (4:2:2 10 bit) |
| Video Output Format: IP | [Frame frequency 59.94 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 29.97 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 50.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 25.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 23.98 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) *59.94 fps/50.00 fps is only when H.265. – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 59.94/29.97 Hz: 14.99 fps, 50.00/25.00 Hz: 12.50 fps, 23.98 Hz: 11.99 fps |
| Video Output Format: USB | No |
| Video Transmission Protocol | Canon XC, RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Wi-Fi, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| SDI OUT Terminal | 12G-SDI OUT Terminal BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, SMPTE ST 2082, 2081, 424, 425, 292, 259, 299, 272 compliant Embedded audio, Time code (VITC/LTC) 6G-SDI OUT Terminal No 3G-SDI OUT Terminal BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, SMPTE ST 424, 425, 292, 259, 299, 272 compliant Embedded audio, Time code (VITC/LTC) |
| GEN-LOCK Terminal | BNC jack (also serves as the SYNC OUT terminal) |
| TIME CODE Terminal | BNC jack (for both input/output) |
| HDMI OUT Terminal | HDMI connector (Type A), both video and audio are output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | XLR 3-pin jack (balanced) ((1) shield, (2) hot, (3) cold), two lines Sensitivity (MIC): -60 dBu (manual volume center, -18 dB full scale) Sensitivity (LINE): +4 dBu (manual volume center, -18 dB full scale) Supply Voltage: 48 V DC (Bias resistance: 6.8 kΩ) |
| MIC Terminal | ϕ 3.5 mm stereo mini-jack (unbalanced; supports plug-in power) Sensitivity (MIC): -72 dBu (manual volume center, -18 dB full scale) Sensitivity (LINE): -10 dBV (manual volume center, -18 dB full scale) Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ) |
| USB Terminal | No |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE++ power supply via LAN connector (IEEE802.3bt compliant) – PoE and PoE+ cannot be used External power source: 12 V DC |
| Power Consumption | PoE++ Input: Approx. 37.4 W/1.2 A max. (body only) DC Input: Approx. 36.7 W/3.5 A max. (body only) * Class 5 (40.0 W required) for power supply devices |
| Dimensions (W x H x D) | Approx. 200 x 269 x 208 mm (excluding protrusions) |
| Weight | Approx. 4.4 kg (9.7 lbs) [Body Only] |
| Noise | NC 30 or less |
COMMAND. CONTROL. CREATE
Master your live broadcast feeds by operating and monitoring up to 200 cameras via IP. With unrivalled control and no requirement for a PC, this professional PTZ controller boasts SDI and HDMI connectivity plus a 7-inch multi-function touchscreen, customisable buttons, dials and an ergonomic joystick for precise control.
IP Video and Input Monitoring
Monitor and control Canon camera feeds quickly and easily on the 7-inch touchscreen via IP with up to nine being viewable at once in various layout options. Whatever camera is chosen, the touchscreen will automatically switch to show that live feed. Alternatively, output one full-screen feed to an external monitor via the 12G-SDI or HDMI port.
| General | |
|---|---|
| Power supply (adapter) | DC12V |
| Power supply (PoE) | Yes (PoE+) |
| Exterior dimensions | W 342 mm x H 145 mm x D 245 mm (excluding protrusions) |
| Weight | approx. 3.4 kg |
| Operating Temperature | 0°C - 40°C |
| LCD Display | 7-inch touch panel |
| Supported protocols | XC Protocol (IP) NU Protocol (Serial) |
| Connection specs | |
| No. of connectible cameras | 200 (IP), 5 (Serial) |
| No. of camera groups | 20 (10 units per 1 group) |
| Inputs/Outputs | |
| Power Supply | XLR-4pin (10.8 to 20V) |
| Video input/output | IP IN (video switch with camera selection; 2x2/3x3 multi-camera video display) 12G-SDI IN/OUT (2K/4K, no additional information such as audio/TimeCode except through-out) HDMI OUT (2K, no additional information such as audio/TimeCode) |
| Serial Interface | RJ45 x 5 |
| Tally/GPIO | D-sub 25pin x 2 |
| Video display on touch panel | YES (SDI IN/IP) |
| Touch focus from screen | YES (SDI IN/IP) |
| USB | USB Type A x 2 (for saving settings data, firmware update) |
| Memory | |
| Preset | Up to 100 for each camera (depends on camera specs) |
| Hard button support for presets | Yes (used with camera number buttons) |
| Trace | Up to 10 for each camera (depends on camera specs) |
| Control Panel | |
| Menu operation | Yes (touch panel or arrow button and SET/BACK buttons) |
| No. of user buttons | 5 (USER1 to USER10 can be controlled from the touch panel) |
| Touch focus from panel | YES (SDI IN/IP) |
| No. of camera Selectable Buttons | 10 (usable as preset select) |
| Others | |
| Initial camera settings without PC | YES |
| Simultaneous multi-camera setup | YES |
Data sheet
Specific References
