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DZOFilm Vespid Prime 4-Lens Kit (25mm/75mm/100mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF)

VESPKIT-4LENS-PL-2
Price: €3,190.00

Instead of €3,302.00

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A lens case that moves from a full-frame establishing shot to true macro detail without changing the visual family is a practical asset on set. The DZOFilm Vespid Prime 4-Lens Kit (25mm/75mm/100mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF) combines three PL cine primes with a dedicated macro lens: 25 mm for wider coverage, 75 mm for portraits and compression, 100 mm for tighter framing, and 90 mm Macro T2.8 for product inserts, textures, tabletop work and fine mechanical details.

The set covers VistaVision / full-frame sensors with a 46.5 mm image circle, giving camera teams room for large-format cinema bodies and high-resolution capture. The 25, 75 and 100 mm lenses share a T2.1 maximum transmission, while the macro lens opens to T2.8. All four use manual iris control, a 16-blade aperture for rounded out-of-focus highlights, and optical tuning aimed at natural colour, controlled aberration and restrained focus breathing during rack-focus shots.

For focus pulling and lens control, the mechanics are consistent across the kit. The 25/75/100 mm lenses have a 270° focus throw; the 90 mm Macro extends this to 300° for finer near-field adjustment. Close-focus distances are 0.30 m on 25 mm, 0.60 m on 75 mm, 0.70 m on 100 mm and 0.258 m on the macro, with the macro reaching 1.5× magnification. 0.8 MOD cine gears and M77 filter threads support follow-focus units, motors and screw-in filtration with minimal accessory changes between focal lengths.

This PL mount cinema lens kit suits narrative production, commercials, documentary units, interview rigs and live studio cameras that need a coherent look from wide coverage to close-up detail. Aluminium alloy housings, clear witness marks and manual control give camera assistants predictable handling, while the mixed focal range keeps the package compact enough for small crews, gimbal work and location days where the lens choice must stay precise rather than excessive.

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Vespid is DZOFILM’s high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/ Live/independent films, etc.

Focal Length 25mm
COLOUR Black
MOUNT PL 
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 12 Elements in 11 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.3m/1ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈940g

Focal Length 75mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.6m/2ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈865g

Focal Length 90mm
COLOUR Black
MOUNT PL
T-STOP T2.8
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.258m/10.2in
MAGNIFICATION RATIO 1.5X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.43"
LENGTH (METRIC/IMPERIAL) 112mm/4.41"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈800g

Focal Length 100mm
COLOUR Black
MOUNT PL 
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.7m/2ft4in
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 83°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈890g

VESPKIT-4LENS-PL-2
2 Items

Data sheet

Lens Mount
PL Mount
Focal Lengths
25mm
75mm
90mm
100mm
Maximum Aperture
T2.1
T2.8
Lens Format Coverage
Full Frame
Lens Type
Bundle
Cinema Lens
Macro
Prime

Specific References

ean13
6970604944359
mpn
DZO-VK4BPL-M

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DZOFilm Vespid Prime 4-Lens Kit (25mm/75mm/100mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF)

A lens case that moves from a full-frame establishing shot to true macro detail without changing the visual family is a practical asset on set. The DZOFilm Vespid Prime 4-Lens Kit (25mm/75mm/100mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF) combines three PL cine primes with a dedicated macro lens: 25 mm for wider coverage, 75 mm for portraits and compression, 100 mm for tighter framing, and 90 mm Macro T2.8 for product inserts, textures, tabletop work and fine mechanical details.

The set covers VistaVision / full-frame sensors with a 46.5 mm image circle, giving camera teams room for large-format cinema bodies and high-resolution capture. The 25, 75 and 100 mm lenses share a T2.1 maximum transmission, while the macro lens opens to T2.8. All four use manual iris control, a 16-blade aperture for rounded out-of-focus highlights, and optical tuning aimed at natural colour, controlled aberration and restrained focus breathing during rack-focus shots.

For focus pulling and lens control, the mechanics are consistent across the kit. The 25/75/100 mm lenses have a 270° focus throw; the 90 mm Macro extends this to 300° for finer near-field adjustment. Close-focus distances are 0.30 m on 25 mm, 0.60 m on 75 mm, 0.70 m on 100 mm and 0.258 m on the macro, with the macro reaching 1.5× magnification. 0.8 MOD cine gears and M77 filter threads support follow-focus units, motors and screw-in filtration with minimal accessory changes between focal lengths.

This PL mount cinema lens kit suits narrative production, commercials, documentary units, interview rigs and live studio cameras that need a coherent look from wide coverage to close-up detail. Aluminium alloy housings, clear witness marks and manual control give camera assistants predictable handling, while the mixed focal range keeps the package compact enough for small crews, gimbal work and location days where the lens choice must stay precise rather than excessive.

Write your review

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