Nine focal lengths from a single manufacturer, matched in color rendition and mechanical handling — that is what the DZOFilm Vespid Prime 9-Lens Kit (16 T2.8 + 25/35/40/50/75/100/125 T2.1 + Macro 90 T2.8) PL brings to productions demanding consistency across setups. The kit spans an ultra-wide 16 mm to a 125 mm telephoto, supplemented by a dedicated 90 mm Macro with 1:1.5 magnification for tight product shots or close-ups in documentary work. Every lens projects a 46.5 mm image circle, covering VistaVision and full-frame sensors without vignetting — a critical advantage on cameras like the ARRI ALEXA 35, Sony VENICE, or RED V-RAPTOR.
Optical construction relies on an APO (apochromatic) design that suppresses chromatic aberration across the visible spectrum, producing clean highlight-to-shadow transitions and faithful skin tones under mixed lighting. A 16-blade iris — consistent on every lens — shapes out-of-focus highlights into smooth, rounded discs rather than polygonal artifacts, contributing to naturally cinematic background separation. Internal focusing keeps the front element stationary during pull-focus moves, eliminating barrel rotation and suppressing focus breathing: essential for scenes where the camera shifts between foreground and background subjects in a single take.
On set, this kit earns its place through mechanical uniformity. All nine lenses share a common 80 mm front diameter, 77 mm filter thread, and 0.8 MOD cine-standard gear pitch on both focus and iris rings. Swap from a 25 mm to a 100 mm and your matte box, follow-focus motor, and clip-on filters stay put — lens changes during a multi-camera drama or a fast-paced commercial take seconds. Focus throw reaches 270° across the primes (300° on the Macro 90), giving assistants the precision to hit marks on critical takes.
Housings machined from aluminum alloy keep the Vespid Primes light enough for gimbal and drone rigs yet rigid enough for daily rental use. The PL mount seats directly onto industry-standard cine cameras from ARRI, Sony, RED, and Blackmagic, with a 52 mm flange distance ensuring repeatable back-focus calibration across bodies. A fitted hard case protects all nine lenses during transport between studio stages, outdoor locations, or international freight.
Instead of €7,477.00
Nine focal lengths from a single manufacturer, matched in color rendition and mechanical handling — that is what the DZOFilm Vespid Prime 9-Lens Kit (16 T2.8 + 25/35/40/50/75/100/125 T2.1 + Macro 90 T2.8) PL brings to productions demanding consistency across setups. The kit spans an ultra-wide 16 mm to a 125 mm telephoto, supplemented by a dedicated 90 mm Macro with 1:1.5 magnification for tight product shots or close-ups in documentary work. Every lens projects a 46.5 mm image circle, covering VistaVision and full-frame sensors without vignetting — a critical advantage on cameras like the ARRI ALEXA 35, Sony VENICE, or RED V-RAPTOR.
Optical construction relies on an APO (apochromatic) design that suppresses chromatic aberration across the visible spectrum, producing clean highlight-to-shadow transitions and faithful skin tones under mixed lighting. A 16-blade iris — consistent on every lens — shapes out-of-focus highlights into smooth, rounded discs rather than polygonal artifacts, contributing to naturally cinematic background separation. Internal focusing keeps the front element stationary during pull-focus moves, eliminating barrel rotation and suppressing focus breathing: essential for scenes where the camera shifts between foreground and background subjects in a single take.
On set, this kit earns its place through mechanical uniformity. All nine lenses share a common 80 mm front diameter, 77 mm filter thread, and 0.8 MOD cine-standard gear pitch on both focus and iris rings. Swap from a 25 mm to a 100 mm and your matte box, follow-focus motor, and clip-on filters stay put — lens changes during a multi-camera drama or a fast-paced commercial take seconds. Focus throw reaches 270° across the primes (300° on the Macro 90), giving assistants the precision to hit marks on critical takes.
Housings machined from aluminum alloy keep the Vespid Primes light enough for gimbal and drone rigs yet rigid enough for daily rental use. The PL mount seats directly onto industry-standard cine cameras from ARRI, Sony, RED, and Blackmagic, with a 52 mm flange distance ensuring repeatable back-focus calibration across bodies. A fitted hard case protects all nine lenses during transport between studio stages, outdoor locations, or international freight.
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This DZOFilm VESPID Prime Cine 8-Lens Kit is suitable for use on productions ranging from independent to studio films. Lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
1x DZOFILM Vespid Prime Cine Lens 16mm T 2.8
1x DZOFILM Vespid Prime Cine Lens 25mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 35mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 40mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 50mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 75mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 100mm T 2.1
1x DZOFILM Vespid Prime Cine Lens 125mm T 2.1
1x DZOFILM Vespid Prime Cine Lens Macro 90 T2.8
1x Safety Case
The lenses feature an internal focus design that minimizes focus breathing while keeping the front of the lens from rotating and the lens from changing size while you change focus. The shared position of the focus and iris gears across the lens set makes for fast lens changes with minimal adjustment of lens accessories. An included hard case carries your lenses and protects them during storage and transport.
Focal Length 16mm
COLOUR Black
MOUNT PL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 14 Elements in 10 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.25m/10in
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 50°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE /
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈930g
Focal Length 25mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 12 Elements in 11 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.3m/1ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈940g
Focal Length 35mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.3m/1ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 63°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈834g
Focal Length 40mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 10 Elements in 9 Groups
FLANGE DISTANCE 52mm（PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.3m/1ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈943g
Focal Length 50mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.46m/1.6ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 58°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈732g
Focal Length 75mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.6m/2ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈865g
Focal Length 100mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.7m/2ft4in
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 83°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈890g
Focal Length 125mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 10 Elements in 8 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.79m/2ft7in
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 84°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈924g
Focal Length 90mm
COLOUR Black
MOUNT PL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm（PL）/44mm（EF)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.258m/10.2in
MAGNIFICATION RATIO 1.5X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.43"
LENGTH (METRIC/IMPERIAL) 112mm/4.41"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈800g
Data sheet
Specific References
