Kinefinity Camera Pro Pack
€6,699.00
A production day can lose time before recording starts: scattered chargers, unmatched media and an incomplete camera rig are enough. The...
Cooke /i metadata arriving in the edit beside every take is what marks out a working cinema camera. The Kinefinity MAVO mark2 S35 PL Mount ships with its active PL mount fitted, writing focal length, T-stop and focus distance into each clip while a four-corner screw fixing holds heavy cine glass square to the sensor. Switching to the native KineMOUNT with EF, PL or LPL adapters needs no flange-back recalibration, a real gain for rental fleets rotating one body between jobs.
Behind the mount sits a Super 35 6K 3:2 CMOS sensor with a 24 x 16 mm active area, reading out 6144 x 4016 in open gate. Dual base ISO 800/3200 keeps noise disciplined across a 160-81920 range, and latitude runs beyond 14 stops, leaving headroom for mixed practicals in a night interior or a blown window behind an interviewee. Cadence scales with the crop: 96 fps at 6K Wide, 112 fps at 5K, 150 fps in a Micro Four Thirds window at 3.8K, 270 fps in a Super 16 region. In-camera anamorphic de-squeeze covers 5.3K 4:3 and 4.9K 6:5, so 2x and 1.33x glass monitors correctly on set rather than in the grade.
Recording stays in Apple ProRes, from 422 LT up to 12-bit ProRes 4444XQ, with KineLOG3 carrying the sensor's full tonal range to the colourist; compressed CinemaDNG at 3:1, 5:1 and 7:1 suits jobs needing more latitude in post. Media is KineMAG Nano NVMe M.2 2280 SSD in 1 TB or 2 TB on a PCIe slot, protected by read-only mode and RAID 5, offloading at up to 10 Gbps over the drive's own USB-C port. Third-party NVMe drives run through the KineMAG Nano Body, keeping media costs predictable on long-form productions.
Multi-camera and live work leans on dual 3G/1.5G-SDI outputs carrying embedded metadata and audio to a switcher, while LTC in/out and RS-422 sync lock several bodies to one clock. Two XLR inputs with 48 V phantom and 24-bit/48 kHz PCM take boom and radio mics without an outboard mixer; Wi-Fi covers remote control and streaming from a crane or gimbal. Draw near 27 W lets a 200 Wh V-mount run past five hours; the hybrid plate also takes BP-U packs for crews travelling light. Supplied through official EU distribution, with mounts, KineMAG media and monitoring specified alongside the body.
Kinefinity MAVO mark2 S35 PL Mount 6K Camera
A010-004-04
Price: €4,689.00
No tax
We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
Available from supplier (Delivery time to be confirmed.)
Cooke /i metadata arriving in the edit beside every take is what marks out a working cinema camera. The Kinefinity MAVO mark2 S35 PL Mount ships with its active PL mount fitted, writing focal length, T-stop and focus distance into each clip while a four-corner screw fixing holds heavy cine glass square to the sensor. Switching to the native KineMOUNT with EF, PL or LPL adapters needs no flange-back recalibration, a real gain for rental fleets rotating one body between jobs.
Behind the mount sits a Super 35 6K 3:2 CMOS sensor with a 24 x 16 mm active area, reading out 6144 x 4016 in open gate. Dual base ISO 800/3200 keeps noise disciplined across a 160-81920 range, and latitude runs beyond 14 stops, leaving headroom for mixed practicals in a night interior or a blown window behind an interviewee. Cadence scales with the crop: 96 fps at 6K Wide, 112 fps at 5K, 150 fps in a Micro Four Thirds window at 3.8K, 270 fps in a Super 16 region. In-camera anamorphic de-squeeze covers 5.3K 4:3 and 4.9K 6:5, so 2x and 1.33x glass monitors correctly on set rather than in the grade.
Recording stays in Apple ProRes, from 422 LT up to 12-bit ProRes 4444XQ, with KineLOG3 carrying the sensor's full tonal range to the colourist; compressed CinemaDNG at 3:1, 5:1 and 7:1 suits jobs needing more latitude in post. Media is KineMAG Nano NVMe M.2 2280 SSD in 1 TB or 2 TB on a PCIe slot, protected by read-only mode and RAID 5, offloading at up to 10 Gbps over the drive's own USB-C port. Third-party NVMe drives run through the KineMAG Nano Body, keeping media costs predictable on long-form productions.
Multi-camera and live work leans on dual 3G/1.5G-SDI outputs carrying embedded metadata and audio to a switcher, while LTC in/out and RS-422 sync lock several bodies to one clock. Two XLR inputs with 48 V phantom and 24-bit/48 kHz PCM take boom and radio mics without an outboard mixer; Wi-Fi covers remote control and streaming from a crane or gimbal. Draw near 27 W lets a 200 Wh V-mount run past five hours; the hybrid plate also takes BP-U packs for crews travelling light. Supplied through official EU distribution, with mounts, KineMAG media and monitoring specified alongside the body.
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MAVO mark2 S35 is equipped with a new 6K S35 CMOS imaging sensor, its frame rate up to 96 fps at 6K Wide. Dual native ISO 800/3200 delivers clean low-light performance with 14 stops of dynamic range, providing flexible creativity and more possibilities for cinematographers.
Active PL Mount
The reliable cine-style locking mechanism enables the active PL mount to connect the lens with the camera toughly. It supports the Cooke/i protocol, recording lens metadata such as focal length, aperture, and depth of field directly into footage, bringing intuitive interaction on set and flexibility in post VFX workflows.
Key Features:
Super35 6K 3:2 CMOS with 14+ stops, dual native ISO 800/3200
6K96 Wide, 4K112 Wide in ProRes 4444XQ; S35 anamorphic de-squeeze (4:3/6:5)
PL mount included; active EF/E/PL adapters with lens control and Cooke/i metadata
KineLOG3, Rec.709, custom 3D LUTs; cDNG compressed (3:1, 5:1, 7:1)
Dual proprietary video, 3G-SDI, 2x XLR audio, timecode, sync, RS-232
KineMAG Nano SSD recording (1TB/2TB or third-party NVMe M.2)
Wi-Fi app control (iOS/Android), 23 W power, hybrid battery plate
Modular, 1.36 kg body with OLED EVF and monitor options
Integrated Body Design
MAVO mark2 inherits the integrated body design of MAVO Edge camera which has won the prestigious iF DESIGN AWARD 2021. The compact camera body features a host of general control ports, dual SDI outputs with embedded metadata and audio, high-quality multi-channel audio recording, timecode sync, and RS232 protocol LENS port for third-party accessories.
Comprehensive Power Solution
The MAVO mark2 offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. It supports standard 14.8V V-mount batteries like KineBAT PD 99/200, as well as BP-U type batteries like GripBAT 4S. With the addition of Movcam KineKIT-Edge cage, NP-F550 type batteries can support an uninterruptible power supply (UPS) to the camera via the UPS baseplate.
Ultra-Compact, Ultra-Light
MAVO mark2 features a high-strength aviation aluminum alloy body with highly integrated functions, yet weighs only 1.35kg (2.98lbs). It is lighter than both MAVO Edge and MAVO LF with KineBACK, making it easy to carry and suitable for a wide range of complex and dynamic shooting scenarios.
Package Content:
Kinefinity MAVO Mark2 S35 Digital Cinema Camera (ARRI PL)
ARRI PL Mount
Body Cap
| CMOS Imaging Sensor | |
|---|---|
| CMOS Sensor Type | Super 35 6K 3:2 CMOS |
| Max Recording Resolution | 6144×4016 (3:2 Open Gate), 25M |
| Max Frame Rate (Wide) | 6K Wide 0.2~96fps |
| Active Sensor Area | 24×16mm, ø 28.8mm |
| Dual Base ISO | 800 / 3200 |
| Dynamic Range | >14 Stops |
| Shutter Angle | 0.7°~358° with Rolling Shutter |
| Lens Mount | Active PL Mount |
| Optical Filter | Optical LPF with UV and IR-cut filter |
| Codec, LUT & Recording Media | |
| Recording Codec | ProRes 4444XQ / ProRes 4444 / ProRes 422HQ / ProRes 422 / ProRes LT |
| Format | QuickTime .mov |
| Bit Depth | 12-bit (4444XQ/4444) 10-bit (422HQ/422/LT) |
| Color Science | KineLOG3 |
| LUT Support | KineLOG3, Neutral (Rec 709), Custom 3D LUT support |
| Recording Media | KineMAG Nano SSD 1TB/2TB, single media slot. Third-party NVMe M.2 2280 SSD supported via KineMAG Nano Body. |
| Media Size (W×H×L) | 1.6×3.5×0.35″ / 40×88×9mm |
| Monitoring | |
| Video Ports | KINEFINITY Proprietary Video Port ×2 |
| SDI Outputs | 3G/1.5G SDI ×2 with metadata and audio (standard BNC) |
| Monitor Support | KINEFINITY Micro OLED EVF Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen |
| Audio | |
| Audio Sampling | Linear PCM, 24-bit, 48KHz |
| Audio Input | Built-in Mono Microphone, 3.5mm Stereo Microphone Jack, 48V Phantom-power Balanced Input ×2 (standard XLR) |
| Audio Output | 3.5mm Stereo Headphone Jack |
| Wireless & Network | |
| Wireless | WiFi 5 for live streaming and camera control |
| Sensor | 3-axis accelerometer |
| SYNC & Control | |
| Timecode | Linear TC In & Out (0B 5-pin) |
| Lens Control Port | RS232 Lens Port, Power Output (0B 5-pin) |
| Multi-Sync Port | RS422 Sync and KINEFINITY Camera Sync, Power Output (0B 9-pin) |
| RS Trigger Port | Rec Trigger Input with Power Output (Fisher 3-pin) |
| Extension Ports | Data & Control, EXT 1 and EXT 2 (Pogo-pin, 2×4 contacts) |
| USB | USB Type-C ×1, for firmware updates and custom 3D LUT import |
| Power In & Out | |
| Power Consumption | 27W (6K HD 25fps, live view) |
| Power Input | Integrated Hybrid Battery Plate (V-mount or BP-U compatible), DC Input (1B 2-pin), 11~26V |
| UPS Port | EXT 3 (Pogo-pin, 2×5 contacts) |
| Power Outputs | RS ×1 @4A, SYNC ×1 @3A, Lens ×1 @6A |
| Construction & Size | |
| Body Color | Black |
| Body Material | Aerospace-grade Aluminum Alloy |
| Body Weight | 2.98lb / 1.35kg |
| Dimensions (W×H×L) | 4.1×4.8×4.2″ / 106×124×107mm (*without protrusions) |
| Operating Temperature | 0°C ~ 40°C |
| Recording Formats — S35 | |
| S35 6K OG | 6144×4016, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 24×16mm, ø 28.8mm |
| S35 6K DCI | 6144×3240, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 24×12.9mm, ø 27.3mm |
| S35 6K 2.4:1 | 6144×2516, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm |
| S35 6K UHD | 5760×3240, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 22.5×12.9mm, ø 25.9mm |
| S35 5K 17:9 | 5120×2700, 0.2~90fps Codec: up to ProRes 4444XQ Optical Format: 20×10.8mm, ø 22.7mm |
| S35 5.7K 3:2 | 5760×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 22.5×15.3mm, ø 27.2mm |
| S35 5K 4:3 | 5120×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 20×15.3mm, ø 25.2mm |
| S35 4.8K 6:5 | 4864×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 19×15.3mm, ø 24.4mm |
| S35 4K DCI (OS) | 4096×2160, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 24×12.9mm, ø 27.3mm |
| S35 4K 2.4:1 (OS) | 4096×1672, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm |
| S35 3.8K 3:2 (OS) | 3840×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 22.5×15.3mm, ø 27.2mm |
| S35 4K UHD (OS) | 3840×2160, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 22.5×12.9mm, ø 25.9mm |
| S35 3.8K 2.4:1 (OS) | 3840×1576, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm |
| S35 3.4K 4:3 (OS) | 3456×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 20×15.3mm, ø 25.2mm |
| S35 3K 6:5 (OS) | 3072×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 19×15.3mm, ø 24.4mm |
| Recording Formats — M43 | |
| M43 4K DCI | 4096×2160, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 16×8.6mm, ø 18.2mm |
| M43 4K 2.4:1 | 4096×1672, 0.2~140fps Codec: up to ProRes 4444XQ Optical Format: 16×6.8mm, ø 17.4mm |
| M43 4K UHD | 3840×2160, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 15×8.6mm, ø 17.3mm |
| M43 3.8K 2.4:1 | 3840×1576, 0.2~150fps Codec: up to ProRes 4444XQ Optical Format: 15×6.4mm, ø 16.3mm |
| M43 4K 4:3 | 4096×3072, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 16×12.2mm, ø 20.1mm |
| M43 2K DCI (OS) | 2048×1080, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 16×8.6mm, ø 18.2mm |
| M43 2K 2.4:1 (OS) | 2048×832, 0.2~140fps Codec: up to ProRes 4444XQ Optical Format: 16×6.8mm, ø 17.4mm |
| M43 2K FHD (OS) | 1920×1080, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 15×8.6mm, ø 17.3mm |
| M43 1.9K 2.4:1 (OS) | 1920×784, 0.2~150fps Codec: up to ProRes 4444XQ Optical Format: 15×6.4mm, ø 16.3mm |
| Recording Formats — S16 / 16mm | |
| S16 2K DCI | 2048×1080, 0.2~220fps Codec: up to ProRes 4444XQ Optical Format: 8×4.3mm, ø 9.1mm |
| S16 2K 2.4:1 | 2048×832, 0.2~270fps Codec: up to ProRes 4444XQ Optical Format: 8×3.4mm, ø 8.7mm |
| S16 2K FHD | 1920×1080, 0.2~218fps Codec: up to ProRes 4444XQ Optical Format: 7.5×4.3mm, ø 8.6mm |
| S16 1.9K 2.4:1 | 1920×784, 0.2~270fps Codec: up to ProRes 4444XQ Optical Format: 7.5×3.2mm, ø 8.2mm |
A010-004-04
Data sheet
- Video Output
- Kinefinity Video Port
SDI - Audio Input
- Built-in microphone
Mini Jack 3.5mm
XLR - Audio Output
- HDMI Embedded
Mini Jack 3.5mm
SDI Embedded - Max Output Resolution
- 6K Open Gate (6144 × 4016) 50/60 fps
- Output colour sampling
- RGB 4:4:4 12-bit
- Network Connection
- Wi-Fi
- Sensor Size
- Super 35mm (24x16mm)
- Lens mount
- Interchangeable mount
PL - Internal ND filtres
- No
- Media type
- KineMAG SSD
- Battery Type
- Sony BP-U
V-Mount - Screen Type
- External
- Sensor Resolution
- 25MP
- Sensor Type
- CMOS
- Image Stabilization
- No
- ISO Sensitivity Range
- 160-81920
- Dynamic Range
- 14 stops
- Shutter Type
- Electronic Shutter
- Shutter Speed
- 1/2000s-1/24s
- Bit Depth
- 12-bit
- Viewfinder Type
- External
- Focus Mode
- Manual
- Internal Recording Modes
- ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444XQ
ProRes LT
RAW CinemaDNG - External Recording Modes
- RAW CinemaDNG
- Timecode
- Yes
- Genlock
- No
Specific References
- ean13
- 6153051872820
- mpn
- A010-004-04
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