Canon CR-N300 White PTZ Camera

    CR-N300 WH
    Price: €2,349.00
    No tax
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    Built around a 1/2.3-inch single-plate CMOS sensor paired with Canon's DIGIC DV 6 processor, the Canon CR-N300 White delivers UHD 4K capture up to 30p alongside oversampled Full HD at 59.94p. Production houses running multi-camera live events, corporate streaming and remote broadcast positions will recognise immediately why this PTZ unit sits at the centre of so many in-ear monitor rigs and IP truck deployments — clean signal handling, predictable colorimetry against BT.709, and a matte titanium-white finish that disappears against well-lit stage backdrops.

    The optical block carries a native 20x optical zoom across a 3.67–73.4 mm range (35 mm equivalent of roughly 29.3–601 mm), with an iris span of f/1.8–2.8 and an 8-bladed circular aperture that keeps out-of-focus highlights tidy on close-up portrait shots. A motor-driven gradation ND filter opens the door to shooting wide-open under stage wash or daylight, while the Hybrid AF system blends contrast detection with phase-detection AF for fast lock on talking-head subjects. Face AF, tracking and continuous AF modes are all selectable, and minimum subject illumination of around 1.5 lux gives operators real margin in dim venues.

    Outputs cover everything a mixed broadcast and IP truck needs: 3G-SDI on BNC, an HDMI port carrying 4K UHD 4:2:2 10-bit, USB 3.0 Type-C for direct UVC ingest, and a Gigabit LAN port handling PoE+ power alongside full NDI|HX, SRT, RTMP/RTMPS and RTSP/RTP streaming. Canon's XC protocol, FreeD and Standard Communication round out the control side, with Wi-Fi and infrared available for ad-hoc operation. The pan/tilt mechanism moves at 0.2–300°/s across a ±170° pan range and stores up to 100 presets — enough to cover complex theatre, sports or municipal-council cue lists without daisy-chaining controllers.

    For studios investing in long-running fixed installs, the RA-AT001 (Lite) Auto Tracking firmware adds subject following at no extra cost, with the paid full app extending sensitivity, multi-person framing and recall slots. Combined with single-cable PoE+ install and Canon's RC-IP100 hardware controller scaling up to 100 cameras, the Canon CR-N300 White slots cleanly into AV-over-IP infrastructure built to run for years, not seasons.

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    The CR-N300 makes content creation and streaming simple. Equipped with a 1/2.3-inch CMOS sensor with 4K UHD resolution, 20x image stabilised optical zoom and a wide range of streaming and control protocols, as well as the ability to automate your productions using Auto Tracking App RA-AT001(Lite), it’s the ideal choice for a variety of productions.

    20x Optical zoom for incredible flexibility
    Capture all the detail you need, thanks to Canon’s advanced 4K optics which feature a flexible 20x optical zoom covering a broad focal range of 29.3-601mm (35mm equivalent), ensuring great flexibility. Equipped with image stabilisation, for minimal image disruption when moving.

    IP Streaming and Control to transform your productions
    The CR-N300 boasts a comprehensive range of IP control and streaming protocols up to 4K UHD 30p allowing for greater control for your production needs. Featuring major protocols such as NDI|HX, RTMP, RTP/RTSP, RTMPS, SRT, FreeD and Canon’s XC Protocol, it will fit into most new or most existing systems, making it an extremely flexible option.

    Hybrid AF for precise focus
    The CR-N300 combines high-precision contrast AF with high-speed phase-detection AF, ensuring rapid and accurate focusing of the subject, even in low light conditions. Equipped with a bespoke external sensor which measures the distance to the subject and compares the point of focus with that determined by the Contrast AF system. This Hybrid AF system is particularly effective in low light situations and provides fast, accurate and reliable Autofocus with greater accuracy than Contrast AF alone.

    Flexible connectivity for your workflow
    The CR-N300 features a whole host of connections to ensure the ultimate flexibility in workflows. Featuring a HDMI port which can achieve 4K UHD, 4:2:2 10-bit. The camera also boasts a 3G-SDI port, USB Port, 3.5mm Audio Input and a PoE+ LAN port.

    Smooth, precise control
    The CR-N300 is equipped with a high-precision drive mechanism, enabling the Pan and Tilt movement to be finely adjusted at variable speeds using controllers such as RC-IP100, Canon Remote Camera Control Application or a tablet via Wi-Fi, to capture the perfect shot.

    Upgrade your content with a new firmware update available August 2025
    Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.

    *Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.

    FeatureAuto Tracking Application (Lite)Auto Tracking Application
    Tracking subjectAuto-select onlyAuto-/manual select possible
    Tracking sensitivityFixedAdjustable from 1 to 10 levels
    Tracking subject display sizeCan be set at two levelsCan be set at five levels
    Tracking target display positionFixed at centerCan be set to any area
    Auto FramingMulti-Person Framing, Face Direction Framing, Sit/Stand Framing
    Priority display areaCan be set
    Fixed angle of viewCan be set
    Save tracking settingsOne onlyUp to five can be saved/recalled

    Specifications

    Camera
    Image SensorType 1/2.3 (1/2.3 in.) single-plate CMOS sensor
    Effective Pixelsapprox. 8.29 megapixels (3840 x 2160)
    Lensf=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed circular aperture
    Optical Zoom20x optical zoom
    Digital Zoom20x digital zoom
    Focal Lengthf=3.67 – 73.4 mm, F/1.8 – 2.8,
    35mm equivalent focal length:
    [4K UHD] approx. 29.3 (W) – 601 mm (T)
    [Full HD] approx. 30.5 (W) – 627 mm (T)
    Digital
    Angle of View[4K UHD]
    Horizontal: 65.6 (W) – 3.6° (T)
    Vertical: 39.8° (W) – 2.0° (T)
    [Full HD]
    Horizontal: 63.5 (W) – 3.4° (T)
    Vertical: 38.4° (W) – 1.9° (T)
    Minimum Subject IlluminationApprox. 1.5 lux (shutter speed 1/30 sec., frame rate 59.947P (Programmed AE) shooting mode, auto slow shutter on)
    Shutter Speed1/6 – 1/2000 sec. (specific values depend on the frame frequency and frame rate)
    IrisManual/Automatic aperture
    Gain0.0 dB – 36 dB
    ND FilterBuilt-in (1/8 at maximum, gradation ND), motor operate
    White BalanceAUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual

    * Color temperatures are given for reference purposes only.
    FocusFocus mode: Manual, Continuous AF, Face AF, Tracking
    AF type: Hybrid AF, Contrast AF
    GammaNormal1 (Standard), Normal3 (BT.709)
    Pan and TiltPan operation range: Horizontal ±170°
    Pan operation speed: 0.2° – 300°/sec.
    Tilt operation range: Vertical -30° – +100°
    Tilt operation speed: 0.2° – 180°/sec.
    Pan and Tilt Operation
    ProtocolXC (Canon's original), RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD
    Server
    Video Output Format: SDI1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit)
    1280 x 720: 59.94P, 50.00P (4:2:2 10 bit)
    – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI)
    – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI.
    Video Output Format: HDMIHDMI 3840 x 2160: 29.97P, 25.00P, 23.98P (4:2:2 10 bit)
    1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit)
    1280 x 720: 59.94P, 50.00P (4:2:2 10 bit)
    – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI)
    – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI.
    Video Output Format: IP3840 x 2160: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    1920 x 1080: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    1280 x 720: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    – If 59.94/50.00 Hz is selected for the frame frequency, the 3840 x 2160 format cannot be selected.
    – A frame rate that exceeds the frame frequency cannot be selected.
    – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected)
    Resolution: 1280 x 720
    When frame frequency is 59.94/50.00 Hz: 14.99 fps, when frame frequency is 23.98 Hz: 11.99 fps, when frame frequency is 29.97/25.00 Hz: 12.50 fps
    Video Output Format: USBMotion JPEG:
    1920 x 1080
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    1280 x 720
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    640 x 360
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    YUV:
    640 x 360
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    PresetNumber of presets: Max. 100 (including home position)
    Interface
    Communication ControlLAN, Wi-Fi, Serial, IR
    Network TerminalLAN x 1, RJ45, 1000Base-T
    SDI OUT TerminalBNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced
    SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant
    Embedded audio, Time code (VITC/LTC)
    GEN-LOCK Terminal-
    HDMI OUT TerminalHDMI connector x 1, output only
    RS-422 TerminalRJ45 connector x 1
    Audio INPUT 1/INPUT 2 Terminals-
    MIC Terminalϕ3.5 mm stereo mini jack (unbalanced, plug-in power supported)
    Sensitivity (MIC): -72 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more/Att.: 20 dB
    Sensitivity (LINE): -10 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more
    Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ)
    USB TerminalType-A (USB 2.0) x 1 (future expansion)
    Type-C (USB 3.0) x 1
    Physical Features
    Operating EnvironmentTemperature
    0°C – +40°C (+32°F – +104°F)
    Humidity
    10% – 90% (without condensation)
    Power SupplyPoE: PoE+ power supply via LAN connector (IEEE802.3at compliant)
    – PoE cannot be used
    External power source: 24 V DC (using included AC adaptor)
    Power ConsumptionPoE+ Input: Approx. 16.2 W* max. (body only)
    DC Input: Approx. 15.0 W max. (body only)

    * Class 4 (25.5 W required) for power supply devices
    Dimensions (W x H x D)Approx. 154 x 178 x 164 mm (6.06 x 7.01 x 6.46 in.) (excluding protrusions)
    WeightApprox. 2.2 kg (4.86 lb.) (body only)
    IP Rating-
    CR-N300 WH
    3 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    USB
    Audio Input
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    NDI Embedded
    RJ-45
    SDI Embedded
    USB
    Max Output Resolution
    4K UltraHD (3840 x 2160) 25/30 fps
    Control protocol for PTZ cameras
    Canon XC
    NDI
    RS-422
    Network Connection
    Ethernet
    Sensor Size
    1/2.3"
    Optical Zoom
    20x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    Yes

    Specific References

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    4549292186345
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    5157C004

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    Canon CR-N300 White PTZ Camera

    Built around a 1/2.3-inch single-plate CMOS sensor paired with Canon's DIGIC DV 6 processor, the Canon CR-N300 White delivers UHD 4K capture up to 30p alongside oversampled Full HD at 59.94p. Production houses running multi-camera live events, corporate streaming and remote broadcast positions will recognise immediately why this PTZ unit sits at the centre of so many in-ear monitor rigs and IP truck deployments — clean signal handling, predictable colorimetry against BT.709, and a matte titanium-white finish that disappears against well-lit stage backdrops.

    The optical block carries a native 20x optical zoom across a 3.67–73.4 mm range (35 mm equivalent of roughly 29.3–601 mm), with an iris span of f/1.8–2.8 and an 8-bladed circular aperture that keeps out-of-focus highlights tidy on close-up portrait shots. A motor-driven gradation ND filter opens the door to shooting wide-open under stage wash or daylight, while the Hybrid AF system blends contrast detection with phase-detection AF for fast lock on talking-head subjects. Face AF, tracking and continuous AF modes are all selectable, and minimum subject illumination of around 1.5 lux gives operators real margin in dim venues.

    Outputs cover everything a mixed broadcast and IP truck needs: 3G-SDI on BNC, an HDMI port carrying 4K UHD 4:2:2 10-bit, USB 3.0 Type-C for direct UVC ingest, and a Gigabit LAN port handling PoE+ power alongside full NDI|HX, SRT, RTMP/RTMPS and RTSP/RTP streaming. Canon's XC protocol, FreeD and Standard Communication round out the control side, with Wi-Fi and infrared available for ad-hoc operation. The pan/tilt mechanism moves at 0.2–300°/s across a ±170° pan range and stores up to 100 presets — enough to cover complex theatre, sports or municipal-council cue lists without daisy-chaining controllers.

    For studios investing in long-running fixed installs, the RA-AT001 (Lite) Auto Tracking firmware adds subject following at no extra cost, with the paid full app extending sensitivity, multi-person framing and recall slots. Combined with single-cable PoE+ install and Canon's RC-IP100 hardware controller scaling up to 100 cameras, the Canon CR-N300 White slots cleanly into AV-over-IP infrastructure built to run for years, not seasons.

    Write your review

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