Canon RC-IP300 PTZ Controller
€1,879.00
Production houses that have grown past the single-operator stage need a desk that scales with the camera count without complicating the gallery....
Since firmware 1.1.0 arrived in October 2026, the Canon CR-N400 White 4K PTZ camera records to an SDXC card in its own housing, a capability Canon gives only to this model and the flagship CR-N700. Clips are written as MXF-wrapped XF-AVC or as MP4, at up to 600 Mbps in 4K 60p, and recording starts from an RC-IP1000 controller, the camera's web page or Canon's control apps. On a reality format or a panel show, each PTZ angle leaves the venue with its own ISO file. An encoder crash or a vision-mixer fault mid-programme no longer costs the shot.
Media mode then turns the head into a playback deck. Clips can be reviewed in the browser or on the RC-IP1000 screen, then sent to an FTP server one by one or as a complete card. Nobody needs a ladder to collect footage from a ceiling position.
Behind the lens sits a 1/2.3-type CMOS of about 21.14 million pixels, processed by Canon's DIGIC DV7. On 12G-SDI and HDMI the result is 4K UHD 59.94p, 4:2:2 10-bit. All 3840 x 2160 photosites are read at 23.98 to 29.97 Hz, a 3744 x 2104 window at 50/59.94 Hz, and Full HD frames are scaled down from the 4K picture. Gamma options span Canon Log 3, HLG, PQ, Canon 709, BT.709 Standard and BT.709 Wide DR, with EOS Standard and Neutral looks, Custom Picture and imported 3D LUTs. In Log, the 12G-SDI output can apply a conversion LUT (Wide DR in BT.709 or BT.2020, HLG, PQ, DCI-P3 or a user file), so a Log-shot head feeds an SDR or HDR programme directly. Camera Colour Matching, a free Canon tool, then aligns it with a Cinema EOS A-camera or a third-party main camera.
Broadcast plumbing is what separates it from the CR-N350, which shares the sensor, the DIGIC DV7 and the 20x optics. One BNC carries the 2160p master over 12G-SDI while a second, 3G-SDI, delivers Full HD at the same moment (3G-SDI and HDMI follow one common format). A typical split sends 4K to a UHD mixer or recorder and HD to a multiviewer or an HD encoder. Genlock on BNC, doubling as sync out, and a bidirectional time code BNC tie the camera to house reference.
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Cuts stay clean in the vision mixer, and LED walls in a virtual studio are filmed without scan lines. Embedded audio and VITC/LTC ride on both SDI outputs, which can also carry on-screen menus or peaking for the shader.
Two balanced XLR inputs, switchable between mic and line with 48 V phantom power, along with a 3.5 mm mini-jack for plug-in-power mics, embed sound into SDI, HDMI and the IP stream. Boundary mics on a debate table travel with the picture, with no separate audio run to the gallery.
Optically, the stabilised 20x zoom opens at f/1.8 and closes to f/2.8 at the long end, behind an eight-blade iris. Equivalent focal lengths run from 29.3 to 601 mm (23.98 to 29.97 Hz) or 30 to 616 mm (50 and 59.94 Hz). In Full HD, 40x Advanced Zoom reaches roughly 1,202 mm, enough to isolate a basketball player at the free-throw line or a keynote presenter from the far end of a hall. A motorised ND (1/2, 1/4, 1/8), 0 to 36 dB gain and a 1/3 to 1/2000 s shutter manage exposure; minimum illumination is about 3 lux at 1/60 s, 59.94p and 30 dB. Hybrid AF pairs contrast measurement with a separate phase-difference sensor. Deep-learning detection holds eyes, faces and heads, so focus survives a presenter turning towards a screen.
Over IP, the camera streams up to 3840 x 2160 at 59.94 fps (50 and 59.94 fps in H.265, 4:2:0 8-bit) via NDI|HX2, SRT with adaptive bitrate, RTMP/RTMPS and RTSP/RTP. One PoE++ cable to an IEEE 802.3bt Class 5 port (40 W budget; plain PoE or PoE+ ports are not enough) carries power, picture, tally and control. The supplied 12 V adaptor covers sites without such a switch, and USB-C turns the head into a UVC webcam up to Full HD at 30 fps. Canon's crop function cuts up to two Full HD regions from the frame and outputs them next to the full picture over SDI, HDMI or IP, one optionally in vertical 9:16. Above a talk-show desk, one PTZ head thus supplies a wide and two singles, or a landscape programme plus a portrait version for the client's social accounts.
Control runs over Canon XC, Standard Communication (IP or serial), RS-422 on RJ45 and infrared. Compatible controllers include the RC-IP100, RC-IP300 and RC-IP1000, plus the Remote Camera Control Application, free from Canon (20 cameras), and the Multi-Camera Control app for iPhone and iPad. The Multi-Camera Management Application supervises up to 200 units and updates their firmware in one pass. FreeD position and zoom data can go to several AR or virtual-set engines at once. Pan covers ±170° with preset moves up to 200°/s, tilt runs from −30° to +100°, and each of the 100 presets brings pan, tilt and zoom in together. Mechanical noise stays at NC35 or lower.
Tracking starts on the free RA-AT001 (Lite) tier: subject choice is automatic, framing stays central at one of two sizes, and one configuration can be stored. The full Auto Tracking RA-AT001 licence, sold separately, lets the operator pick the target, tune sensitivity over ten levels, place the subject at any point of the frame and use Auto Framing. Version 1.4.0 adds Registered Face Tracking, with up to seven enrolled faces in priority order. Firmware 1.1.0 also lets tracking begin or end automatically on a preset call, and third-party controllers can trigger it through Standard Communication. For scripted moves, the paid Auto Loop application repeats PTZ sequences. Trace stores a move with its timing, so a sweeping product reveal for a commercial can be repeated take after take.
The box holds a mounting bracket, safety wires and the AC adaptor. The head hangs inverted from a ceiling or sits upright on a shelf, rated for indoor use from 0 to 40 °C, and its titanium-white finish suits pale ceilings and light studio sets. For multi-head installations, our technical team can help plan IP addressing and controller assignments, and advise which positions justify the paid tracking licence for the Canon CR-N400 White.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1/2.3 (1/2.3 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160 at 23.98 / 25 / 29.97Hz) approx. 7.88 megapixels (3744 x 2104 at 50 / 59.94Hz) |
| Lens | f=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed iris diaphragm |
| Optical Zoom | 20x optical zoom (40x with advanced zoom) |
| Digital Zoom | 20x digital zoom |
| Focal Length | 3.67 – 73.4 mm, f/1.8 – 2.8, 35mm equivalent focal length: Approx. 30.0 (W) - 616 mm (T) (50 / 59.94Hz) Approx. 29.3 (W) - 601 mm (T) (23.98 / 25 / 29.97Hz) |
| Angle of View | 59.94/50.00 Hz frame frequency: Horizontal: 63.3° (W) – 3.5° (T) Vertical: 38.9° (W) – 2.0° (T) 29.97/25.00/23.98 Hz frame frequency: Horizontal: 65.6° (W) – 3.6° (T) Vertical: 39.8° (W) – 2.0° (T) |
| Minimum Subject Illumination | ・59.94/29.97 Hz frame frequency: -Approx. 3 lux (with 1/60 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain) -Approx. 1.5 lux (with 1/30 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain) ・50.00/25.00 Hz frame frequency: -Approx. 2.5 lux (with 1/50 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain) -Approx. 1.3 lux (with 1/25 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain) |
| Shutter Speed | 1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | 0.0 dB – 36 dB |
| ND Filter | Built-in (Off, 1/2, 1/4, 1/8), motor operated |
| Night Mode (IR Cut Filter Off) | No |
| Optical Low-Pass Filter | No |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual |
| Focus | Focus mode: Manual, Continuous AF, Face / Eye AF, Tracking AF type: Hybrid AF, Contrast AF |
| Minimum Focusing Distance | 1 cm at wide end, 60 cm across entire zooming range |
| Gamma | BT.709 Wide DR, BT.709 Standard, Canon Log 3, Canon 709, PQ, HLG |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 200.00°/sec.) Tilt operation range: Vertical -30° – +100° Tilt operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 180.00°/sec.) |
| Server | |
| Video Output Format: SDI | [12G-SDI] / 4:2:2 10-bit 3840 x 2160: 59.94P, 50.00P, 29.97P, 25.00P, 23.98P 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF 1280 x 720: 59.94P, 50.00P 720 x 576: 50.00i 720 x 480: 59.94i [3G-SDI] / 4:2:2 10-bit 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF 1280 x 720: 59.94P, 50.00P 720 x 576: 50.00i 720 x 480: 59.94i |
| Video Output Format: HDMI | [HDMI] / 4:2:2 10-bit 3840 x 2160: 59.94P, 50.00P, 29.97P, 25.00P, 23.98P 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF 1280 x 720: 59.94P, 50.00P 720 x 576: 50.00i 720 x 480: 59.94i |
| Video Output Format: IP | [Frame frequency 59.94 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 29.97 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 50.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 25.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 23.98 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) *59.94 fps/50.00 fps is only when H.265. – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 59.94/29.97 Hz: 14.99 fps, 50.00/25.00 Hz: 12.50 fps, 23.98 Hz: 11.99 fps |
| Video Output Format: USB | Motion JPEG: 1920 x 1080 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 1280 x 720 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps YUV: 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps |
| Video Transmission Protocol | Canon XC, RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Wi-Fi, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| SDI OUT Terminal | 12G-SDI OUT Terminal BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, SMPTE ST 2082, 2081, 424, 425, 292, 259, 299, 272 compliant Embedded audio, Time code (VITC/LTC) 3G-SDI OUT Terminal BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant Embedded audio, Time code (VITC/LTC) |
| GEN-LOCK Terminal | BNC jack (also serves as the SYNC OUT terminal) |
| TIME CODE Terminal | BNC jack (for both input/output) |
| HDMI OUT Terminal | HDMI connector (Type A), both video and audio are output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | XLR 3-pin jack (balanced) ((1) shield, (2) hot, (3) cold), two lines Sensitivity (MIC): -60 dBu (manual volume center, -18 dB full scale) Sensitivity (LINE): +4 dBu (manual volume center, -18 dB full scale) Supply Voltage: 48 V DC (bias resistance: 6.8 kΩ) |
| MIC Terminal | ϕ 3.5 mm stereo mini-jack (unbalanced; supports plug-in power) Sensitivity (MIC): -72 dBu (manual volume center, -18 dB full scale) Sensitivity (LINE): -12 dBV (manual volume center, -18 dB full scale) Supply Voltage: 2.4 V DC (bias resistance: 2.2 kΩ) |
| USB Terminal | Type-C (USB 3.0) x 1 |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE++ power supply via LAN connector (IEEE802.3bt compliant) – PoE and PoE+ cannot be used External power source: 12 V DC (using included AC adaptor) |
| Power Consumption | PoE++ Input: Approx. 34.4 W*/0.8 A max. (body only) DC Input: Approx. 33.8 W/2.9 A max. (body only) * Class 5 (40.0 W required) for power supply devices |
| Dimensions (W x H x D) | Approx. 176 x 220 x 194 mm (excluding protrusions) |
| Weight | Approx. 3.1 kg (6.8 lb.) (body only) |
| Noise | NC35 or less |
Data sheet
Specific References