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DZOFilm Vespid Prime 4-Lens Kit (35mm/50mm/125mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF)

VESPKIT-4LENS-PL-1
Price: €3,190.00

Instead of €3,302.00

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DZOFilm Vespid Prime 4-Lens Kit (35mm/50mm/125mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF) combines four colour-matched cinema primes that cover a 46.5mm image circle for Vista Vision / full-frame sensors. The 35mm supports moving camera and establishing coverage, 50mm sits in the dialogue zone, 125mm adds telephoto compression for portraits and detail, and the 90mm macro brings insert work into the same optical family. Matching coatings and contrast behaviour help grading continuity when intercutting focal lengths.

The 35/50/125mm lenses run T2.1–T22 with a 16-blade iris for rounded specular highlights and smooth defocus. Focus mechanics suit assistant work: 270° focus rotation, cine-style gearing and restrained focus breathing for racks that hold composition. Close focus from the sensor plane reaches 0.30 m (35mm), 0.37 m (50mm) and 0.79 m (125mm), enabling tight portrait framing, documentary B-roll, interviews and coverage when you can’t step back. Dual-unit focus scales support mixed crews.

Vespid Macro 90mm T2.8 focuses down to 0.258 m and delivers a 1:1.5 macro ratio for product cinematography, broadcast packages and VFX pickups where texture, labels and edge fidelity matter. A longer 300° focus throw adds granularity for micro pulls on tabletop sets—jewellery, electronics, cosmetics, food, props, serial numbers or forensic-style closeups—while keeping the same neutral colour and contrast response as the T2.1 primes.

Mechanically, the kit follows cine standards with 0.8 MOD gears, consistent ring placement and a fully manual interface (no electronic iris or AF), keeping lens motors and follow-focus units predictable across the set. The series’ APO optical approach helps suppress chromatic fringing, and the PL mount flange standard integrates cleanly with professional cinema bodies and adapters for remote heads, stabilised rigs and multi-camera live production where lens swaps must stay fast and repeatable.

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Vespid is DZOFILM’s high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/ Live/independent films, etc.

Focal Length 35mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.3m/1ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 63°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈834g

Focal Length 50mm
COLOUR Black
MOUNT PL
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 9 Elements in 7 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.46m/1.6ft
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 58°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 87mm/3.43"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈732g

Focal Length 90mm
COLOUR Black
MOUNT PL 
T-STOP T2.8
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.258m/10.2in
MAGNIFICATION RATIO 1.5X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.43"
LENGTH (METRIC/IMPERIAL) 112mm/4.41"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈800g

Focal Length 125mm
COLOUR Black
MOUNT PL 
T-STOP T2.1
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 10 Elements in 8 Groups
FLANGE DISTANCE 52mm(PL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.79m/2ft7in
MAGNIFICATION RATIO /
IRIS CONTROL Manual (rotation angle 84°)
FOCUS CONTROL Manual (rotation angle 270°)
FRONT DIA.(METRIC/IMPERIAL) ∮80mm/3.15"
LENGTH (METRIC/IMPERIAL) 100mm/3.94"
IRIS BLADE 16
FILTER SIZE M77
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈924g

VESPKIT-4LENS-PL-1
1 Item

Data sheet

Lens Mount
PL Mount
Focal Lengths
35mm
50mm
90mm
125mm
Maximum Aperture
T2.1
T2.8
Lens Format Coverage
Full Frame
Lens Type
Bundle
Cinema Lens
Macro
Prime

Specific References

ean13
6970604944311
mpn
DZO-VK4APL-M

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DZOFilm Vespid Prime 4-Lens Kit (35mm/50mm/125mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF)

DZOFilm Vespid Prime 4-Lens Kit (35mm/50mm/125mm T2.1 + Macro 90mm T2.8) PL Mount (VV/FF) combines four colour-matched cinema primes that cover a 46.5mm image circle for Vista Vision / full-frame sensors. The 35mm supports moving camera and establishing coverage, 50mm sits in the dialogue zone, 125mm adds telephoto compression for portraits and detail, and the 90mm macro brings insert work into the same optical family. Matching coatings and contrast behaviour help grading continuity when intercutting focal lengths.

The 35/50/125mm lenses run T2.1–T22 with a 16-blade iris for rounded specular highlights and smooth defocus. Focus mechanics suit assistant work: 270° focus rotation, cine-style gearing and restrained focus breathing for racks that hold composition. Close focus from the sensor plane reaches 0.30 m (35mm), 0.37 m (50mm) and 0.79 m (125mm), enabling tight portrait framing, documentary B-roll, interviews and coverage when you can’t step back. Dual-unit focus scales support mixed crews.

Vespid Macro 90mm T2.8 focuses down to 0.258 m and delivers a 1:1.5 macro ratio for product cinematography, broadcast packages and VFX pickups where texture, labels and edge fidelity matter. A longer 300° focus throw adds granularity for micro pulls on tabletop sets—jewellery, electronics, cosmetics, food, props, serial numbers or forensic-style closeups—while keeping the same neutral colour and contrast response as the T2.1 primes.

Mechanically, the kit follows cine standards with 0.8 MOD gears, consistent ring placement and a fully manual interface (no electronic iris or AF), keeping lens motors and follow-focus units predictable across the set. The series’ APO optical approach helps suppress chromatic fringing, and the PL mount flange standard integrates cleanly with professional cinema bodies and adapters for remote heads, stabilised rigs and multi-camera live production where lens swaps must stay fast and repeatable.

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