Three Canon CR-N350 4K PTZ cameras paired with the RC-IP300 tabletop controller turn a single operator into a full broadcast crew. The kit was put together for production houses, corporate AV teams and live-event companies that need broadcast-grade pictures, dependable IP control and the kind of repeatable rig you can roll into a corporate town hall on Monday and a televised panel debate on Friday. With three matched bodies on stage and one tactile console behind the bench, multi-angle coverage stops being a luxury and becomes part of standard delivery.
Each CR-N350 records 4K UHD at up to 60p in 4:2:2 10-bit, drawing on a 1/2.3" CMOS sensor and Canon's DIGIC DV 7 processor. The 20x optical zoom reaches 40x in Full HD, with Hybrid AF, optical image stabilisation and face, eye and head detection holding sharp focus on a presenter who turns, walks downstage or steps back to the lectern. Canon Log 3, PQ and HLG curves give colourists room to grade, while simultaneous landscape and vertical streams feed a main programme line and a phone-format social cut from one body — useful for live-commerce shows, conferences with a TikTok rebroadcast, or hybrid corporate sessions.
The RC-IP300 commands up to 200 cameras across 20 groups and stores 100 presets per body, recalled instantly through a 3.5-inch touchscreen, joystick, seesaw zoom rocker and dedicated dials for focus, iris and speed. Twelve assignable keys, waveform and vectorscope on the display, and tally over GPIO let one operator switch a four-hour service, sports relay or product launch without leaving the console. Canon's XC Protocol, FreeD, NDI|HX2, SRT, RTMP/RTMPS, RTP/RTSP and Standard Communication sit on the camera side, so the bundle drops cleanly into mixed fleets and virtual-set pipelines.
Single-cable PoE++ on the cameras and PoE on the controller cut the cable run to a single Cat6 per position, carrying video, audio, tally, IP control and power. The result is a Canon CR-N350 Producer Bundle that scales from a two-room studio to a touring SNG flypack and stays usable as the brief shifts mid-week.
Instead of €12,376.00
Three Canon CR-N350 4K PTZ cameras paired with the RC-IP300 tabletop controller turn a single operator into a full broadcast crew. The kit was put together for production houses, corporate AV teams and live-event companies that need broadcast-grade pictures, dependable IP control and the kind of repeatable rig you can roll into a corporate town hall on Monday and a televised panel debate on Friday. With three matched bodies on stage and one tactile console behind the bench, multi-angle coverage stops being a luxury and becomes part of standard delivery.
Each CR-N350 records 4K UHD at up to 60p in 4:2:2 10-bit, drawing on a 1/2.3" CMOS sensor and Canon's DIGIC DV 7 processor. The 20x optical zoom reaches 40x in Full HD, with Hybrid AF, optical image stabilisation and face, eye and head detection holding sharp focus on a presenter who turns, walks downstage or steps back to the lectern. Canon Log 3, PQ and HLG curves give colourists room to grade, while simultaneous landscape and vertical streams feed a main programme line and a phone-format social cut from one body — useful for live-commerce shows, conferences with a TikTok rebroadcast, or hybrid corporate sessions.
The RC-IP300 commands up to 200 cameras across 20 groups and stores 100 presets per body, recalled instantly through a 3.5-inch touchscreen, joystick, seesaw zoom rocker and dedicated dials for focus, iris and speed. Twelve assignable keys, waveform and vectorscope on the display, and tally over GPIO let one operator switch a four-hour service, sports relay or product launch without leaving the console. Canon's XC Protocol, FreeD, NDI|HX2, SRT, RTMP/RTMPS, RTP/RTSP and Standard Communication sit on the camera side, so the bundle drops cleanly into mixed fleets and virtual-set pipelines.
Single-cable PoE++ on the cameras and PoE on the controller cut the cable run to a single Cat6 per position, carrying video, audio, tally, IP control and power. The result is a Canon CR-N350 Producer Bundle that scales from a two-room studio to a touring SNG flypack and stays usable as the brief shifts mid-week.
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Deliver 4K60P video from this 4K PTZ camera with HDR imagery. Enjoy 40x Advanced Zoom in Full HD, smooth auto tracking, and flexible streaming options. It’s the ideal PTZ camera for education and corporate.
Zoom in on every moment
Get closer than ever without losing clarity. The 20x optical in 4K and 40x advanced zoom in Full HD bring distant subjects into focus, making it ideal for covering large venues, auditoriums, and live productions.
Capture every detail with HDR imagery
Adapt seamlessly to any environment. With high dynamic range and flexible image settings, deliver sharp, vibrant footage that maintains professional quality in challenging classroom, studio, or event lighting.
Track every move automatically
Never miss a moment. The intelligent auto-tracking system and enhanced pan/tilt drive unit follows presenters with smooth, precise pan and tilt – even when they turn away – ensuring a polished, professional look at all times.
Two feeds, more flexibility
Maximise your reach with simultaneous widescreen and vertical streaming. Perfect for hybrid events, social platforms, and live-commerce, giving you versatile content from a single live feed.
Work with all major protocols
Integrate seamlessly into any workflow. With compatibility for NDI|HX, SRT, FreeD, RTP/RTSP, RTMP/RTMPS, Canon XC Protocol, Standard Communication, enjoy reliable, flexible streaming and control across platforms and applications.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1/2.3 (1/2.3 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160 at 23.98 / 25 / 29.97Hz) approx. 7.88 megapixels (3744 x 2104 at 50 / 59.94Hz) |
| Lens | f=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed iris diaphragm |
| Optical Zoom | 20x optical zoom (40x with advanced zoom) |
| Digital Zoom | 20x digital zoom |
| Focal Length | 3.67 – 73.4 mm, f/1.8 – 2.8, 35mm equivalent focal length: Approx. 30.0 (W) - 616 mm (T) (50 / 59.94Hz) Approx. 29.3 (W) - 601 mm (T) (23.98 / 25 / 29.97Hz) |
| Angle of View | 59.94/50.00 Hz frame frequency: Horizontal: 63.3° (W) – 3.5° (T) Vertical: 38.9° (W) – 2.0° (T) 29.97/25.00/23.98 Hz frame frequency: Horizontal: 65.6° (W) – 3.6° (T) Vertical: 39.8° (W) – 2.0° (T) |
| Minimum Subject Illumination | ・59.94/29.97 Hz frame frequency: -Approx. 3 lux (with 1/60 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain) -Approx. 1.5 lux (with 1/30 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain) ・50.00/25.00 Hz frame frequency: -Approx. 2.5 lux (with 1/50 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain) -Approx. 1.3 lux (with 1/25 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain) |
| Shutter Speed | 1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | 0.0 dB – 36 dB |
| ND Filter | Built-in (Off, 1/2, 1/4, 1/8), motor operated |
| Night Mode (IR Cut Filter Off) | No |
| Optical Low-Pass Filter | No |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual |
| Focus | Focus mode: Manual, Continuous AF, Face / Eye AF, Tracking AF type: Hybrid AF, Contrast AF |
| Minimum Focusing Distance | 1 cm at wide end, 60 cm across entire zooming range |
| Gamma | BT.709 Wide DR, BT.709 Standard, Canon Log 3, Canon 709, PQ, HLG |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 200.00°/sec.) Tilt operation range: Vertical -30° – +100° Tilt operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 180.00°/sec.) |
| Server | |
| Video Output Format: SDI | [3G-SDI] / 4:2:2 10-bit 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF 1280 x 720: 59.94P, 50.00P 720 x 576: 50.00i 720 x 480: 59.94i |
| Video Output Format: HDMI | [HDMI] / 4:2:2 10-bit 3840 x 2160: 59.94P, 50.00P, 29.97P, 25.00P, 23.98P 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF 1280 x 720: 59.94P, 50.00P 720 x 576: 50.00i 720 x 480: 59.94i |
| Video Output Format: IP | [Frame frequency 59.94 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 29.97 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 50.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 25.00 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 23.98 Hz] 3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) *59.94 fps/50.00 fps is only when H.265. – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 59.94/29.97 Hz: 14.99 fps, 50.00/25.00 Hz: 12.50 fps, 23.98 Hz: 11.99 fps |
| Video Output Format: USB | Motion JPEG: 1920 x 1080 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 1280 x 720 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps YUV: 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps |
| Video Transmission Protocol | Canon XC, RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Wi-Fi, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| SDI OUT Terminal | 3G-SDI OUT Terminal BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant Embedded audio, Time code (VITC/LTC) |
| GEN-LOCK Terminal | No |
| TIME CODE Terminal | No |
| HDMI OUT Terminal | HDMI connector (Type A), both video and audio are output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | No |
| MIC Terminal | ϕ 3.5 mm stereo mini-jack (unbalanced; supports plug-in power) Sensitivity (MIC): -72 dBu (manual volume center, -18 dB full scale) Sensitivity (LINE): -12 dBV (manual volume center, -18 dB full scale) Supply Voltage: 2.4 V DC (bias resistance: 2.2 kΩ) |
| USB Terminal | Type-C (USB 3.0) x 1 |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE++ power supply via LAN connector (IEEE802.3bt compliant) – PoE and PoE+ cannot be used External power source: 12 V DC (using included AC adaptor) |
| Power Consumption | PoE++ Input: Approx. 26.1 W*/0.6 A max. (body only) DC Input: Approx. 23.6 W/2.0 A max. (body only) * Class 5 (40.0 W required) for power supply devices |
| Dimensions (W x H x D) | Approx. 176 x 220 x 194 mm (excluding protrusions) |
| Weight | Approx. 3.0 kg (6.6 lb.) (body only) |
| Noise | NC35 or less |
Crafted for precise multi‑camera control.
Ergonomic layout of buttons and dials, 3.5" touchscreen preview, IP video inputs, and Canon PTZ Auto Tracking support, keep control fast, familiar, and future‑ready.
| General | |
|---|---|
| Power Supply (Adapter) | DC12V |
| Power Supply (PoE) | Yes (PoE) |
| Exterior Dimensions | W 255mm x H 93mm x D 180mm (excluding protrusions) |
| Weight | approx. 1.3 kg |
| Operating Temperature | 0°C - 40°C |
| Display | 3.5-inch touch panel |
| Supported Protocols | XC protocol (IP) NU protocol (Serial) Standard Communication (Serial) |
| Connection Specifications | |
| Number of Camera Groups | 20 (10 units per 1 group) |
| Number of Connectible Cameras | 200 (IP), 1 (Serial) |
| Input / Output | |
| Video Input / Output | IP IN (video switch with camera selection; 2x2/3x3 multi-camera video display) |
| Serial Interface | RJ45 x 1 |
| Tally / GPIO | D-sub 9pin x 1 |
| Video Display on Touch Panel | YES (IP) |
| USB | USB Type A x 1 (for firmware upgrades, saving settings, and Stream Deck connection) |
| Memory | |
| Presets | Up to 100 for each camera (depends on camera specs) |
| Hard Button Support for Presets | Yes (used with camera number buttons) |
| Memory Trace | Up to 10 for each camera (depends on camera specs) |
| Control Panel | |
| Menu Operation | Yes (touch panel or arrow button and SET/BACK buttons) |
| Number of User Buttons | 3 (USER1 to USER12 can be controlled from the touch panel) |
| Touch Focus from Panel | YES (IP) |
| Number of Camera Selectable Buttons | 10 (usable as preset select) |
| Other | |
| Initial Camera Settings without PC | YES |
| Simultaneous Multi-Camera Setup | YES |
Data sheet
Specific References
