Cinematographers planning narrative or commercial assignments gain a hand-picked optical toolkit with the DZOFilm Arles Lustre 10-Lens Kit FF/VV Prime Cine Lens Set PL Mount Metric: ten focal lengths — 14, 21, 25, 35, 40, 50, 75, 100, 135 and 180 mm — that cover Vista Vision and full-frame sensors with one coherent visual character. Most of the kit opens to T1.6, with T2.2 on the 14 and 135 mm primes and T2.8 on the 180 mm telephoto, holding a consistent depth-of-field signature from establishing wides through long-lens portraiture.
What separates this set from a clinical modern series is the amber-halation coating and softened contrast curve. Highlights bloom into warm, golden flares while mid-tones lean towards a subtle bluish-purple coolness, producing the so-called Lustre look — tactile, nostalgic and cinematic without sliding into haze. Dual aspherical elements inside the 14, 21 and 25 mm primes correct spherical aberration and coma, suppress onion-ring bokeh artefacts and tame wide-angle distortion as a tracking shot pushes through a built set or the operator follows talent in handheld coverage.
The mechanical package addresses the daily demands of professional cinema crews. Every barrel uses a common M86 filter thread, 0.8 mod gear pitch and a 270° focus throw that gives focus pullers tactile precision on extended dialogue takes. A 16-blade iris closes through a near-circular profile, rendering rounded bokeh that flatters skin tones and out-of-focus practicals alike. Uniform ring placement lets a 1st AC swap focal lengths on gimbals, Steadicam rigs or technocrane heads without re-marking the follow-focus.
Optical resolution holds up to 12K capture, keeping the Arles Lustre relevant alongside ARRI Alexa 35, RED V-Raptor and Sony VENICE 2 bodies, while the native PL mount plays cleanly with current LPL-to-PL adapters. EF and LPL conversion kits ship separately, and compatibility with DZOFILM KOOP rear magnetic filters allows fast on-lens ND or diffusion swaps between takes. Released as a limited 100-set worldwide run, this kit fits indie features, period dramas, fashion commercials, music videos and high-end documentary projects where tonal personality matters as much as edge sharpness.
Instead of €31,831.00
Cinematographers planning narrative or commercial assignments gain a hand-picked optical toolkit with the DZOFilm Arles Lustre 10-Lens Kit FF/VV Prime Cine Lens Set PL Mount Metric: ten focal lengths — 14, 21, 25, 35, 40, 50, 75, 100, 135 and 180 mm — that cover Vista Vision and full-frame sensors with one coherent visual character. Most of the kit opens to T1.6, with T2.2 on the 14 and 135 mm primes and T2.8 on the 180 mm telephoto, holding a consistent depth-of-field signature from establishing wides through long-lens portraiture.
What separates this set from a clinical modern series is the amber-halation coating and softened contrast curve. Highlights bloom into warm, golden flares while mid-tones lean towards a subtle bluish-purple coolness, producing the so-called Lustre look — tactile, nostalgic and cinematic without sliding into haze. Dual aspherical elements inside the 14, 21 and 25 mm primes correct spherical aberration and coma, suppress onion-ring bokeh artefacts and tame wide-angle distortion as a tracking shot pushes through a built set or the operator follows talent in handheld coverage.
The mechanical package addresses the daily demands of professional cinema crews. Every barrel uses a common M86 filter thread, 0.8 mod gear pitch and a 270° focus throw that gives focus pullers tactile precision on extended dialogue takes. A 16-blade iris closes through a near-circular profile, rendering rounded bokeh that flatters skin tones and out-of-focus practicals alike. Uniform ring placement lets a 1st AC swap focal lengths on gimbals, Steadicam rigs or technocrane heads without re-marking the follow-focus.
Optical resolution holds up to 12K capture, keeping the Arles Lustre relevant alongside ARRI Alexa 35, RED V-Raptor and Sony VENICE 2 bodies, while the native PL mount plays cleanly with current LPL-to-PL adapters. EF and LPL conversion kits ship separately, and compatibility with DZOFILM KOOP rear magnetic filters allows fast on-lens ND or diffusion swaps between takes. Released as a limited 100-set worldwide run, this kit fits indie features, period dramas, fashion commercials, music videos and high-end documentary projects where tonal personality matters as much as edge sharpness.
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Reviving Vintage Glow for Modern Narratives
The Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history.
To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".
Nostalgic Glow for Poetic Imagery
The Lustre series features a unique coating formula that delivers expressive amber flaring, with a soft, poetic glow that infuses every frame with a sense of nostalgia and emotion.
Ideal for indie films, period dramas, experimental films, and fashion commercials, Lustre creates a vintage aesthetic and emotionally resonant imagery. Its stylistic flares and soft contrast evoke a dreamy, evocative ambiance, enriching visuals with greater depth and texture.
Vista Vision Format for Expansive Imagery
The Lustre series spans focal lengths from 14mm to 180mm and is fully compatible with Vista Vision sensors, effortlessly achieving IMAX-level depth of field and expansive perspectives. Whether creating high-end visuals in industrial-grade productions or crafting immersive spatial experiences in narrative films, Lustre excels in delivering outstanding results. Its large-format compatibility, wide aperture, and precision optical design ensure smooth transitions and consistent imagery across the frame. This unified visual style suits a wide range of projects, from independent films to large-scale productions, empowering filmmakers with more creative potential.
Package contents:
Lustre 14 mm T2.2 Prime lens
Lustre 21 mm T1.6 Prime Lens
Lustre 25 mm T1.6 Prime lens
Lustre 35 mm T1.6 Prime Lens
Lustre 40 mm T1.6 Prime lens
Lustre 50 mm T1.6 Prime Lens
Lustre 75 mm T1.6 Prime Lens
Lustre 100 mm T1.6 Prime Lens
Lustre 135 mm T2.2 Prime Lens
Lustre 180 mm T2.8 Prime Lens
10× front lens cap
10× rear lens cap
10× focal length sticker for front cap
10× lens support foot
Shim set
2× hard case with molded foam padding
Limited manufacturer's warranty: 1 year
Extended warranty after registration: 6 months
Tech spec.
| Focal Length | 14 mm | 21 mm | 25 mm | 35 mm |
|---|---|---|---|---|
| Colour | Desert Gold | |||
| Mount | PL/ EF | |||
| Aperture | T2.2-T22 | T1.6-T22 | ||
| Image Circle | φ46.5mm (VV/FF) | |||
| Construction Of Optics | 15 Elements in 12 Groups | 14 Elements in 12 Groups | ||
| Flange Distance | 52mm (PL) /44mm (EF) | |||
| Angle Of View (Diagonal, Horizontal, Vertical) | 116° / 109° / 72° | 96° / 89° / 54° | 87° / 80° / 47° | 67° / 61° / 34° |
| Close Focus (From Sensor Plane) | 0.28m / 11in | 0.33m / 1ft1in | 0.35m / 1ft2in | |
| Iris Control | Manual (65°) | Manual (77°) | Manual (80°) | |
| Focus Control | Manual (270°) | |||
| Front Dia. | φ95mm/3.74" | |||
| Length (From Lens Front To Flange Plane) | 121.8mm / 4.79''(PL) 129.8mm / 5.11"(EF) | |||
| Iris Blade | 16 | |||
| Filter Size | / | M86 | ||
| Gear Pitch | 0.8 Mod | |||
| Weight (Product) | ≈1646g | ≈1500g | ≈1490g | ≈1650g |
| Focal Length | 40 mm | 50 mm | 75 mm | 100 mm |
| Colour | Desert Gold | |||
| Mount | PL/ EF | |||
| Aperture | T1.6-T22 | |||
| Image Circle | φ46.5mm (VV/FF) | |||
| Construction Of Optics | 13 Elements in 11 Groups | 13 Elements in 9 Groups | 13 Elements in 8 Groups | |
| Flange Distance | 52mm (PL) /44mm (EF) | |||
| Angle Of View (Diagonal, Horizontal, Vertical) | 61° / 56° / 31° | 50° / 45° / 25° | 34° / 30° / 16° | 26° / 23° / 12° |
| Close Focus (From Sensor Plane) | 0.4m / 1ft4in | 0.5m / 1ft7in | 0.75m / 2ft6in | 0.9m / 2ft11in |
| Iris Control | Manual (83°) | Manual (80°) | Manual (82°) | Manual (90°) |
| Focus Control | Manual (270°) | |||
| Front Dia. | φ95mm/3.74" | |||
| Length (From Lens Front To Flange Plane) | 121.8mm / 4.79''(PL) 129.8mm / 5.11"(EF) | |||
| Iris Blade | 16 | |||
| Filter Size | M86 | |||
| Gear Pitch | 0.8 Mod | |||
| Weight (Product) | ≈1633g | ≈1688g | ≈1662g | ≈1830g |
| Focal Length | 135 mm | 180 mm | ||
| Colour | Desert Gold | |||
| Mount | PL/ EF | |||
| Aperture | T2.2-T22 | T2.8-T22 | ||
| Image Circle | φ46.5mm (VV/FF) | |||
| Construction Of Optics | 12 Elements in 8 Groups | 12 Elements in 9 Groups | ||
| Flange Distance | 52mm (PL) /44mm (EF) | |||
| Angle Of View (Diagonal, Horizontal, Vertical) | 19° / 17° / 9° | 15° / 13° / 7° | ||
| Close Focus (From Sensor Plane) | 0.98m/3ft3in | 1.07m/3ft6in | ||
| Iris Control | Manual (88°) | |||
| Focus Control | Manual (270°) | |||
| Front Dia. | Φ95mm/3.74" | |||
| Length (From Lens Front To Flange Plane) | 130.8mm / 5.18" (PL) 138.8mm / 5.49" (LPL/EF) | |||
| Iris Blade | 16 | |||
| Filter Size | M86 | |||
| Gear Pitch | 0.8 Mod | |||
| Weight (Product) | ≈1846g | ≈1675g | ||
Data sheet
Specific References
